Look at it as Troma’s Nuclear Green is the Warmest Colour.īut, when these sensual scenes go on for too long, the meaning has less impact. It was as if I could faintly hear Lloyd explaining how Chrissy and Lauren are sharing intimacy as they discover themselves more. Kaufman’s the kind of director who – I’m sure – has meaning behind these prolonged scenes. For instance, the love scenes are stretched until the seams are showing. Paredes and Corcoran have scenes that endlessly carry on, unfortunately.
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Clay von Carlowitz is hysterical as an insane, sexually pent up poser and our female leads (Chrissy played by Asta Paredes and Lauren played by Catherine Corcoran) know how to make their campiness captivating among the absurdity.
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Luckily, each actor is playing their showboating roles well while knowing exactly what type of movie they’ve signed up for – which briefly distracts us from the problem. The remake angle gets scrapped as new characters are being introduced. The screenplay annoyingly tries to shoehorn too much “edginess” and it drifts Kaufman’s focus off of whatever film he wants to make. Return to Nuke ‘Em High Volume 1, however, goes out of its way to make off-colour remarks and peabrain jokes about school shootings and controversial news headliners. If a current event or taboo crosses the film’s path, you can bet its getting wrung through Troma’s laugh factory. While the film starts with an incredibly strong collection of hilarious one-liners, slapstick, and sight gags, its the film’s politically incorrectness that gets in the way. It’s this arrogance that causes friction between the film and the audience, hindering our ability to like the film as a whole for its original foolish appeal. In the case of Return to Nuke ‘Em High Volume 1, Kaufman and his bratty co-writers (Travis Campbell, Casey Clapp, Derek Dressler, and Aaron Hamel) know exactly how offensive they’re being. They’re too busy entertaining you in grotesque ways. Either way, you’re having fun because the filmmakers don’t know any better. If these films are your cup o’ tea, all you can do is laugh along and shake your head. When the films go too far, its those happy-go-lucky attitudes that save them from going down a dark hole. The ragtag groups always have their heart in the right place – even if that means splattered on the floor squirting out countless bloody squibs. The films that roll out of Troma have playful qualities to them and appear to be unaware as to how boorish their movie gets. Lloyd Kaufman’s integrity as a filmmaker is admirable and the overall communal filmmaking process behind each movie displays how faithful these crews are to genre moviemaking. I’ve enjoyed most of the Troma films I’ve seen, and I even go as far as to consider myself a fan. It’s disgustingly funny and over-the-top, its ickiness is enough to make you squirm, but its overstuffed zealousness causes a glaring mess. Return to Nuke’ Em High is like the cinematic equivalent to one of these steaming containers. Tubs of radioactive slime dress shady sets in the film. Return to Nuke ‘Em High Volume 1 wishes to be a semi-remake of Troma’s schlocky classic, but Kaufman’s comedy has its wires crossed. The off-key nerdy musicians are given a bad ass makeover (including the removal of their tin ears) and become the film’s “Cretins”. The raw food mutates teenagers but takes a particular nauseating turn on the school’s glee club. Soon, the food is delivered to the high school and is scarfed down by the unruly students of Tromaville High School. When shown green glowing product, the boss of the factory (played by Kaufman) answers, “well, you wanted to go green, right?!”
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The food is littered with radioactivity and its no secret to those who provide it. The nasty nuclear power plant (which was stationed beside the high school) has been torn down, and a corrupt food plant has taken its place. The filmmaking ringmaster returns to Tromaville to continue the story of plagued teenagers who are slowly mutating due to exposure of toxic waste. Lloyd Kaufman has proven with Return to Nuke ‘Em High Volume 1 that you can go “back to the well” and resurrect a bawdy riot that was started more than two decades ago.